#SOUNDHACK SPECTRAL GATE PATCH#
#SOUNDHACK SPECTRAL GATE FREE#

The Mix combo pot sets the balance between the input signals and the Repeats that will appear at the outputs. In this case note that Halo and Ping Pong will both cause some repeats of each Input to make it to the opposite Output. You may also set up a Dual Mono path by using the Right Input and Output for a second signal and use Skew to set independent Rates for Left and Right channels. For Mono to Mono, simply use the Left Input, and the Left Output. Using Skew, Halo, or Ping Pong will result in a stereo image at the Left and Right Outputs. The mono signal will be passed through both Repeat channels. For Mono to Stereo, use the Left(Mono) Input, and both Left and Right Outputs.

#SOUNDHACK SPECTRAL GATE PATCH#

For Stereo to Stereo, patch the left and right sides of a stereo signal to the Left and Right Inputs, and monitor both Left and Right Outputs. The Mimeophon is set up for easy patching of Mono-to-Mono, Mono-to-Stereo, or Stereo-to-Stereo. The inputs are normalled for mono use when you patch only the Left input. The Mimeophon has two inputs and two outputs. Un-attenuated doppler modulation destination. Trigger output containing an OR of both channels’ rates, 0V or 8VDC. When HOLD is engaged, Repeats control sets Repeat start point for currently selected Zone. Press to HOLD Repeats indefinitely and non-destructively. Will cause total protonic reversal distortion in Zone 0. Press to Flip Repeats so they are heard in reverse. When in use, RATE will synchronize to divisions/multiples of the Tempo. Expects regular clock pulse of 2.5V or greater. Bi-polar input attenuator for COLOR CV Input. “Unity” is at ~3:00, where Repeats will be closest to uncolored. Bipolar CV input attenuator for Zone CV Input. Bipolar input attenuverter for Rate CV Input. When Skew is on, Rate controls Left and Right Repeat frequency in opposite directions. Sets frequency of Repeats in current Zone. When HOLD is engaged, sets Repeats’ start point. With Signal patched to Mix CV input, works as attenuator for that parameter. With nothing patched to Mix CV Input, sets Mix between Live Signal and Repeats. Mimeophon Panel Controls and inputs/outputs It’s an attractive quality that cost us just a little bit more money to implement. There are not many powerful digital modules that can make this claim. The Mimeophon only requires100mA at +12VDC, and much less than that on the -12V rail. NOTE: Power is precious in the Eurorack environment. The Mimeophon is designed for musical applications and is not suitable for laboratory use. Fully Voltage Controlled Time, Space and Color modulation algorithm.Hold sound for non-destructive modulation of infinite loops.Zones may be Flipped for backward repeats.Rate Out generates Pulses at Skewed Tempos, completing the conversation within the modular system.Color focuses feedback energy for timbral shifts over time.Control number of Repeats up to and beyond Infinite.

#SOUNDHACK SPECTRAL GATE FREE#

Tempo Sync for Doppler Free modulation of Rate, create complex repeat patterns.μRate offers dedicated Doppler Modulation.Skew lets Rate control Repeats differently for Left and Right channels.Rate continuously controls Repeats frequency within Zones.

Color Coded Modeless Algorithm: morph between Karplus, Flange, Chorus, Echo, Looping and everything in between.

It is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also coloring and spatializing the repeats. The Mimeophon opens similar possibilities in the medium of sound. In the twentieth century, many visual artists utilized machines like this to create so called xerox or copy art, a visual collage style of iterative composition. The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a sonic take on various historical copying devices, in particular the mimeograph, a machine invented by Thomas Edison in the late 19th century for making many copies of printed material. The Mimeophon is a stereo, multi-zone color audio repeater module by Make Noise and soundhack, coded by Tom Erbe.

Soundhack spectral gate